my friend

---

»

---

Colour and Meaning in Painting Techniques and Studio Practice - Andrea de Chirico

- J. Kirby and D. Saunders, Sixteenth to eighteenth-century green colours in landscape and flower paintings: composition and deterioration, in A. Roy and P. Smith, Contributions to the IIC Dublin Congress, 7-11 September 1998: Painting Techniques, History, Materials and Studio Practice.

- E Birren, History of Color in Painting, Van Nostrand Reinhold, New York, 1965.

- L. Bolton, The History and Techniques of the Great Masters: Gauguin, Tiger Books International, London, 1988.

- J. Bruno, Form and Colour in Greek Painting, Thames and Hudson, London, 1977.

- M. Brusatin, A History of Colors, Shambala, Boston, 1991.

- S. Bucklow, Paradigms and pigment recipes: Vermilion, synthetic yellows and the nature of the egg, ZfK, 1999.

- R. M. Bureh, Colour Printing and Colour Printers, Sir Isaac Pitman & Sons, London, 1910.

- A. Burmester and C. Krekel, The relationship between Albrecht Durer's palette and fifteenth / sixteenth-century pharmacy price lists: the use of azurite and ultramarine, Proceedings of the IIC Dublin Congress, 7-11 December 1998.

- C. Cobb and H. Goldwhite, Creations of Fire Plenum, New York, 1995.

- B. Cole, The Renaissance Artist at Work John Murray, London, 1983.

- D. Cranmer, Ephemeral paintings on permanent view - the accelerated aging of Mark Rothko 's paintings, Sydney, 1987.

- M. de Keijzer, Microchemical identification of modern organic pigments in cross-sections of artists' paintings, Sydney, 1987.

- I. Dickson Gill, The History and Techniques of the Great Masters: Titian, London, 1989.

- J. Dunkerton, A. Roy and A. Smith, The unmasking of Tura's Allegorical Figure: a painting and its concealed image, National Gallery Technical Bulletin, 1987.

- R. Fox and A. Nieto-Galan, Natural Dyestuffs and Industrial Culture in Europe, 1750-1880, Canton, 1999.

- J. Gage, George Field and His Circle, Cambridge, 1989.

- J. Gage, Review of Fame am Bauhaus: Synthese und Synasthesie, in KC, February, 1998.

- M. Goodwin, Artist and Colourman, Harrow, 1966.

- S. Hackney, R. Jones and J. Townsend, Paint and Purpose, London, 1999.

- H. von Helmholtz, On the relation of optics to painting, London, 1903.

- V. Jirat Wasiutynski and H. T. Newton, Absorbent grounds and the matt aesthetic in post-Impressionist painting, in A. Roy and P. Smith (eds), Contributions to the IIC Dublin Congress, 7-11 September 1998: Painting Techniques: History, Materials and Studio Practice, International Institute for Conservation of Historic and Artistic Works, London, 1998.

- J. Kirby, Fading and colour change of Prussian blue: occurrences and early reports, National Gallery Technical Bulletin, London. 1993.

- J. Kirby, The painter's trade in the seventeenth century: Theory and practice, National Gallery Technical Bulletin, London, 1999.

- J. Kirby, The price of quality: factors influencing the cost of pigments during the Renaissance, in G. Neher and R. Shepherd, Values in Renaissance Art, London, 2000.

- J. Kirby and R. White, The identification of red lake pigment dyestuffs and a discussion of their use, London, 1996.

- A. P. Laurie, The Pigments and Mediums of the Old Masters, London, 1914.

- M. Menu, Cave paintings: structure and analysis, MRS Bulletin, December, 1996.

- M. P. Merrifield, Original Treatises on the Am of Painting, New York, 1967.

- A. Morrall, The History and Techniques of the Great Masters: Rembrandt, London, 1988.

- A. Morrall, The History and Techniques of the Great Masters: Rubens, London, 1988.

- E. O'Donoghue, R. Romero and J. Dik, French eighteenth century painting techniques, in A. Roy and P. Smith, Contributions to the IIC Dublin Congress, 1998.

- J. Osborne, Light and Pigments of John Murray, London, 1980.

- N. Penny and M. Spring, Veronese's paintings in the National Gallery. Technique and materials, London, 16 1995.

- E Ratlitf, Paul Signac and Color in Neo-Impressionism, New York, 1992.

- B. Riley, Mondrian: Nature to Abstraction, London, 1997.

- D. Saunders and J. Kirby, Light-induced colour changes in red and yellow lake pigments, London, 1994.

- L. Sheldon, Methods and materials of the Pre-Raphaelite circle in the 1850s, Proceedings of the IIC Dublin Congress, 7-11 December, 1998.

- H. Skelton, A colour chemist's history of art, Review of Progress in Coloration, 1999.

- A. Thomas, The Painter's Practice in Renaissance Tuscany, Cambridge, 1995.

- E.J. Wall, History of Three-Color Photography, Boston, 1925.

- R. White and J. Kirby, Rembrandt and his circle: Seventeenth-century Dutch paint media re-examined, National Gallery Publications, London, 1994.

bibliographies

Colour and Meaning in Painting Techniques and Studio Practice - Andrea de Chirico

mx