BIBLIOGRAPHIES

 

 

      MARCEL DUCHAMP


items by marcel duchamp

—— Marcel Duchamp's Letters to Maria Martins (1946-1967/68) —— Michael R. Taylor (ed.). Marcel Duchamp: Étant Donnés. Yale University Press, 2009, pp. 402-425.

—— The Great Trouble with Art in This Country —— Marcel Duchamp. The Essential Writings of Marcel Duchamp, Michel Sanouillet & Elmer Peterson (editors), Thames and Hudson, London, 1975, pp. 123-126.

—— Affectueusement, Marcel: Ten Letters from Marcel Duchamp to Suzanne Duchamp and Jean Crotti —— Francis M. Naumann. Archives of American Art Journal, Vol. 22, No. 4. (1982), pp. 2-19.

—— Interview with Marcel Duchamp —— George Heard Hamilton (interviewer). Conducted in New York on 19 January 1959 for broadcast on BBC Radio.

—— Interview with Marcel Duchamp —— James Johnson Sweeney (interviewer). James Nelson (ed.); Wisdom - Conversation with the Elder Wise Men of Our Day, W W NORTON & Co. New York, 1958, pp. 89-99.

—— Interviews with Marcel Duchamp (New York, 1964) —— Calvin Tomkins (interviewer). Marcel Duchamp: The Afternoon Interviews by Calvin Tomkins. Badlands Unlimited, Brooklyn, 2013, pp. 23-93.

—— Marcel Duchamp; Through the "Large Glass" —— Pierre Cabanne. Dialogues with Marcel Duchamp, De Capo Press, 1979, pp. 51-68.


about

—— Maria Martins: the Open Secret of Étant donnés / Review of “Marcel Duchamp. Étant donnés” / Philadelphia Museum of Art, August 15-November 29, 2009 —— Frédérique Joseph-Lowery. Journal of Surrealism and the Americas 4:1 (2010), pp. 78-85.

—— Don’t Forget I Come From the Tropics’ (Reconsidering the Surrealist Sculpture of Maria Martins) —— Michael R. Tay. Journal of Surrealism and the Americas 8:1 (2014), pp. 74-89.

—— Marcel Duchamp and Alfred Jarry —— Pieter de Nijs. Relief 10 (1), 2016, pp. 77-98.

—— Jarry in Duchamp —— William Anastasi. New│Art (examiner), October 1997, pp. 10-15.

—— The Alchemist Stripped Bare in the Bachelor, Even —— Arturo Schwarz. Anne d'Harnoncourt and Kynaston McShine (eds.), Marcel Duchamp , MoMA , New York , 1973, pp. 81-98.

—— Out of Field (Fuera de campo) Marcel Duchamp in Buenos Aires —— Graciela Speranza. Journal of Surrealism and the Americas 4:1 (2010), pp. 1-14.

—— Metaphysics: Occult Munich —— Glyn Thompson. Unwinding Duchamp: Mots et Paroles à Tous les Étages, (Dissertation, Volume 1.) The University of Leeds, September 2008, pp. 110-150.

—— Reunion: John Cage, Marcel Duchamp, Electronic Music and Chess —— Lowell Cross. Leonardo Music Journal, 1999, Vol. 9, pp. 35–42.

—— A Marriage in Check. The Heart of the Bride Stripped Bare by Her Bachelor, Even —— Lydie Fischer Sarazin-Levassor. Un échec matrimonial. Le coeur de la mariée mis à nu par son célibataire, même, Dijon, Les Presses du réel, 2007. pp. 21-58.

—— Duchamp's Labyrinth: First Papers of Surrealism, 1942 —— T. J. Demos. October, Vol. 97. Summer, 2001, pp. 91-119.

—— Marcel Duchamp, the Artist, and the Social Expectations of Aging —— Reynold Pritikin. The Gerontological Society of America, Vol. 30, No.5, 1990, pp. 636-639.

—— Marcel Duchamp: Chess Aesthete and Anartist Unreconciled —— Paul N. Humble. Journal of Aesthetic Education, Vol. 32, No.2, Summer 1998, pp. 41-55.

—— A Sentimental Conversation: Marcel Duchamp and Lydie Sarazin-Levassor —— Marc Décimo. Lydie Fischer Sarazin-Levassor. Un échec matrimonial. Le coeur de la mariée mis à nu par son célibataire, même, Dijon, Les Presses du réel, 2007. pp. 9-17.

—— De Chirico and Duchamp —— Adriano Altamira. Metafisica, 2006, No. 5-6, pp. 80-90.

—— Ekphrastics and Forensics: Hermeneutics —— Glyn Thompson. Unwinding Duchamp: Mots et Paroles à Tous les Étages. The University of Leeds, 2008. pp. 22-25.

—— Ready-mades and Other Measures: The Poetics of Marcel Duchamp and William Carlos Williams —— Henry M. Sayre. Journal of Modern Literature, 1980, Vol. 8 Issue 1, pp. 3-22.

—— Epistemology: Research as Practice —— Glyn Thompson. Unwinding Duchamp: Mots et Paroles à Tous les Étages. The University of Leeds, September 2008. pp. 10-21.

—— Marcel Duchamp and the New Geometries —— Linda Dalrymple Henderson. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, Princeton University Press, 1983, pp. 118-163.

—— Marcel Duchamp, or The Phynancier of Modern Life —— Thierry de Duve. October, Vol. 52, Spring, 1990, pp. 60-75.


additional

—— Can Aesthetic Theories of Art Be Rescued From the Problem of Avant-Garde and Other Non-Perceptual Artworks? - An Exploration of Non-Perceptual Aesthetic Properties —— Angharad Shaw. Postgraduate Journal of Aesthetics, Vol. 4, No. 1, April 2007, pp. 28-38.

—— The Bearded Lady and the Shaven Man - Mona Lisa, meet Mona/Leo —— Antoinette LaFarge. Leonardo, Vol. 29 (1996), No. 5, pp. 379-383.

—— On the Origins of the Virtual Museum —— Erkki Huhtamo. Nobel Symposium - NS 120, Virtual Museums and Public Understanding of Science and Culture, May 26-29, 2002, Stockholm, Sweden, pp. 1-14.

—— Work Avoidance: The Everyday Life of Marcel Duchamp's Readymades —— Helen Molesworth. Art Journal, Vol. 57, No. 4, Winter 1998, pp. 50-61.

—— The Sublime: Art Media as Doubt —— John Toth. The Space of Creativity: Hypermediating the Beautiful and the Sublime, European Graduate School (Dissertation), September 2005, pp. 69-79.

—— Marcel Duchamp and the Machine —— Lawrence D. Steefel, Jr.. Marcel Duchamp, Anne D'Harnoncourt and Kynaston McShine (eds.). New York: Museum of Modern Art, 1973, pp. 69-80.

—— On Being Duchamp and Maybe Alberti, Even —— Lorens Holm. Penelope Haralambidou (ed); The Blossoming of Perspective, DomoBaal Editions, 2006, pp. 17-19.

—— The End of Aesthetic Experience —— Richard Shusterman. The Journal of Aesthetics and Art Criticism, Vol. 55, No. 1., Winter, 1997, pp. 29-40.

—— Where's Duchamp? - Out Queering the Field —— Robert Harvey. Yale French Studies 109, Surrealism and Its Others (ed. Katharine Conley and Pierre Taminiaux), 2006, pp. 82-97.

—— Dead and Alive - Duchamp's Multiples —— Susan Tallman. Arts Magazine, February 1992, pp. 13-14.

—— Duchampoptics —— Tim O’Riley. Tim O’Riley; Representing Illusions - space, narrative and the spectator in fine art practice, The London Institute, 1998, pp. 56-65.

—— Twisted Pair: Marcel Duchamp / Andy Warhol —— Victor P. Corona. Culture Machine Reviews, September 2010, pp. 1-12.

—— Marcel Duchamp's Fountain, Its History and Aesthetics in the Context of 1917 —— William A. Camfield. Dada/Surrealism 16 (1987), pp. 64-86.

 

 

 

      EZRA POUND


about

—— The Last Ten Years (1962–1972) —— Anne Conover. Olga Rudge and Ezra Pound, Yale University Press, New Haven & London, 2001, pp. 227-257.

—— Olga and Ezra in Paris (1922–1923) —— Anne Conover. Olga Rudge and Ezra Pound, Yale University Press, New Haven & London, 2001, pp. 1-9.

—— English and French Feminist Approaches to Pound's Poetics —— Geun Young Jang. Fluidities of Gender in Ezra Pound, (A Dissertation), Texas Tech University, May, 1999, pp. 54-91.

—— The Unseen Universe of art: Vortex motion in the Ether —— Antje Pfannkuchen. http://www.newvortex.de, June 2004.

—— The Troubadour (1905-40) —— Marie-Noëlle Little. The Knight and the Troubadour - Dag Hammarskjöld and Ezra Pound, Dag Hammarskjöld Foundation, Uppsala, Sweden, 2010, pp. 25-42.

—— Ezra Pound’s Women of Trachis: Modernist Translation as Performance Text —— Stephe Harrop. Platform, Vol. 3, No. 1, Spring 2008, pp. 90-106.

—— Homage To A Confucian Poet —— Angela Palandri. Homage to a Confucian poet, Paideuma, Vol. 3, No. 3 (Winter 1974), pp. 301-311.

—— Making Modernism New: Queer Mythology in The Young and Evil —— Sam See. ELH 76, The Johns Hopkins University Press, 2009, pp. 1073–1099.

—— Gods and Monsters —— Thomas Henry Martin. Daphne in the Twentieth Century: The Grotesque in Modern Poetry, (Dissertation) May 2008, Texas A&M University, pp. 1-33.

—— “A Certain Concordance of Size”: Pound’s Venice in The Pisan Cantos —— John Gery. Quaderni di Palazzo Serra 15, 2008, pp. 278-299.

—— A Daughter of the Poet —— Henry Regnery. Modern Age, Fall 1972, pp. 420-422.

—— Ezra Pound and his Italian Critics —— Angela Jung Palandri. Tamkang Review Vol. III, No. 2, October, 1972, pp. 42-57.

 

 

 

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