BIBLIOGRAPHIES

 


MARCEL DUCHAMP


items by marcel duchamp

— Marcel Duchamp's Letters to Maria Martins (1946-1967/68) — Michael R. Taylor (ed.).  Marcel Duchamp: Étant Donnés. Yale University Press, 2009, pp. 402-425.

— The Great Trouble with Art in This Country — Marcel Duchamp. The Essential Writings of Marcel Duchamp, Michel Sanouillet & Elmer Peterson (editors), Thames and Hudson, London, 1975, pp. 123-126.

— Affectueusement, Marcel: Ten Letters from Marcel Duchamp to Suzanne Duchamp and Jean Crotti — Francis M. Naumann.  Archives of American Art Journal, Vol. 22, No. 4. (1982), pp. 2-19.

— Interview with Marcel Duchamp — George Heard Hamilton (interviewer). Conducted in New York on 19 January 1959 for broadcast on BBC Radio.

— Interview with Marcel Duchamp — James Johnson Sweeney (interviewer).  James Nelson (ed.); Wisdom - Conversation with the Elder Wise Men of Our Day, W W NORTON & Co. New York, 1958, pp. 89-99.

— Interviews with Marcel Duchamp (New York, 1964) — Calvin Tomkins (interviewer). Marcel Duchamp: The Afternoon Interviews by Calvin Tomkins. Badlands Unlimited, Brooklyn, 2013, pp. 23-93.

— Marcel Duchamp; Through the "Large Glass" — Pierre Cabanne.  Dialogues with Marcel Duchamp, De Capo Press, 1979, pp. 51-68.


about

— The Genesis, Construction, Installation, and Legacy of a Secret Masterwork - Genesis (Chapter 1) — Michael R. Taylor.  Marcel Duchamp: Étant donnés, Philadelphia Museum of Art & Yale University Press, 2009, pp. 22-59.

— Maria Martins: the Open Secret of Étant donnés / Review of “Marcel Duchamp. Étant donnés” / Philadelphia Museum of Art, August 15-November 29, 2009 — Frédérique Joseph-Lowery.  Journal of Surrealism and the Americas 4:1 (2010), pp. 78-85.

— Don’t Forget I Come From the Tropics’ (Reconsidering the Surrealist Sculpture of Maria Martins) — Michael R. Taylor.  Journal of Surrealism and the Americas 8:1 (2014), pp. 74-89.

— Marcel Duchamp and Alfred Jarry — Pieter de Nijs.  Relief 10 (1), 2016, pp. 77-98.

— Jarry in Duchamp — William Anastasi.  New│  Art (examiner), October 1997, pp. 10-15.

— The Alchemist Stripped Bare in the Bachelor, Even — Arturo Schwarz. Anne d'Harnoncourt and Kynaston McShine (eds.),  Marcel Duchamp , MoMA, New York , 1973, pp. 81-98.

— Out of Field (Fuera de campo) Marcel Duchamp in Buenos Aires — Graciela Speranza. Journal of Surrealism and the Americas 4:1 (2010), pp. 1-14.

— Metaphysics: Occult Munich — Glyn Thompson.  Unwinding Duchamp: Mots et Paroles à Tous les Étages, (Dissertation, Volume 1.) The University of Leeds, September 2008, pp. 110-150.

— Reunion: John Cage, Marcel Duchamp, Electronic Music and Chess — Lowell Cross. Leonardo Music Journal, 1999, Vol. 9, pp. 35–42.

— A Marriage in Check. The Heart of the Bride Stripped Bare by Her Bachelor, Even — Lydie Fischer Sarazin-Levassor.  Un échec matrimonial. Le coeur de la mariée mis à nu par son célibataire, même, Dijon, Les Presses du réel, 2007. pp. 21-58.

— Duchamp's Labyrinth: First Papers of Surrealism, 1942 — T.  J.  Demos.  October, Vol. 97. Summer, 2001, pp. 91-119.

— Marcel Duchamp, the Artist, and the Social Expectations of Aging — Reynold Pritikin.  The Gerontological Society of America, Vol. 30, No.5, 1990, pp. 636-639.

— Marcel Duchamp: Chess Aesthete and Anartist Unreconciled — Paul N.  Humble. Journal of Aesthetic Education, Vol. 32, No.2, Summer 1998, pp. 41-55.

— A Sentimental Conversation: Marcel Duchamp and Lydie Sarazin-Levassor — Marc Décimo. Lydie Fischer Sarazin-Levassor.  Un échec matrimonial. Le coeur de la mariée mis à nu par son célibataire, même, Dijon, Les Presses du réel, 2007. pp. 9-17.

— De Chirico and Duchamp — Adriano Altamira.  Metafisica, 2006, No. 5-6, pp. 80-90.

— Ekphrastics and Forensics: Hermeneutics — Glyn Thompson.  Unwinding Duchamp: Mots et Paroles à Tous les Étages. The University of Leeds, 2008. pp. 22-25.

— Ready-mades and Other Measures: The Poetics of Marcel Duchamp and William Carlos Williams — Henry M. Sayre. Journal of Modern Literature, 1980, Vol. 8 Issue 1, pp. 3-22.

— Epistemology: Research as Practice — Glyn Thompson.  Unwinding Duchamp: Mots et Paroles à Tous les Étages. The University of Leeds, September 2008. pp. 10-21.

— Marcel Duchamp and the New Geometries — Linda Dalrymple Henderson. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, Princeton University Press, 1983, pp. 118-163.

— Marcel Duchamp, or The Phynancier of Modern Life — Thierry de Duve.  October, Vol. 52, Spring, 1990, pp. 60-75.


additional

— Can Aesthetic Theories of Art Be Rescued From the Problem of Avant-Garde and Other Non-Perceptual Artworks? - An Exploration of Non-Perceptual Aesthetic Properties — Angharad Shaw.  Postgraduate Journal of Aesthetics, Vol. 4, No. 1, April 2007, pp. 28-38.

— The Bearded Lady and the Shaven Man - Mona Lisa, meet Mona/Leo — Antoinette LaFarge.  Leonardo, Vol. 29 (1996), No. 5, pp. 379-383.

— On the Origins of the Virtual Museum — Erkki Huhtamo.  Nobel Symposium - NS 120, Virtual Museums and Public Understanding of Science and Culture, May 26-29, 2002, Stockholm, Sweden, pp. 1-14.

— Work Avoidance: The Everyday Life of Marcel Duchamp's Readymades — Helen Molesworth.  Art Journal, Vol. 57, No. 4, Winter 1998, pp. 50-61.

— The Sublime: Art Media as Doubt — John Toth.  The Space of Creativity: Hypermediating the Beautiful and the Sublime, European Graduate School (Dissertation), September 2005, pp. 69-79.

— Marcel Duchamp and the Machine — Lawrence D.  Steefel, Jr..  Marcel Duchamp, Anne D'Harnoncourt and Kynaston McShine (eds.). New York: Museum of Modern Art, 1973, pp. 69-80.

— On Being Duchamp and Maybe Alberti, Even — Lorens Holm. Penelope Haralambidou (ed); The Blossoming of Perspective, DomoBaal Editions, 2006, pp. 17-19.

— The End of Aesthetic Experience — Richard Shusterman. The Journal of Aesthetics and Art Criticism, Vol. 55, No. 1., Winter, 1997, pp. 29-40.

— Where's Duchamp? - Out Queering the Field — Robert Harvey.  Yale French Studies 109, Surrealism and Its Others (ed. Katharine Conley and Pierre Taminiaux), 2006, pp. 82-97.

— Dead and Alive - Duchamp's Multiples — Susan Tallman.  Arts Magazine, February 1992, pp. 13-14.

— Duchampoptics — Tim O’Riley. Tim O’Riley;  Representing Illusions - space, narrative and the spectator in fine art practice, The London Institute, 1998, pp. 56-65.

— Twisted Pair: Marcel Duchamp / Andy Warhol — Victor P. Corona.  Culture Machine Reviews, September 2010, pp. 1-12.

— Marcel Duchamp's Fountain, Its History and Aesthetics in the Context of 1917 — William A. Camfield.  Dada/Surrealism 16 (1987), pp. 64-86.

 

 

 

EZRA POUND


about

— The Last Ten Years (1962–1972) — Anne Conover.  Olga Rudge and Ezra Pound, Yale University Press, New Haven & London, 2001, pp. 227-257.

— Olga and Ezra in Paris (1922–1923) — Anne Conover.  Olga Rudge and Ezra Pound, Yale University Press, New Haven & London, 2001, pp. 1-9.

— English and French Feminist Approaches to Pound's Poetics — Geun Young Jang. Fluidities of Gender in Ezra Pound, (A Dissertation), Texas Tech University, May, 1999, pp. 54-91.

— The Unseen Universe of art: Vortex motion in the Ether — Antje Pfannkuchen. http://www.newvortex.de, June 2004.

— The Troubadour (1905-40) — Marie-Noëlle Little. The Knight and the Troubadour - Dag Hammarskjöld and Ezra Pound, Dag Hammarskjöld Foundation, Uppsala, Sweden, 2010, pp. 25-42.

— Ezra Pound’s Women of Trachis: Modernist Translation as Performance Text — Stephe Harrop.  Platform, Vol. 3, No. 1, Spring 2008, pp. 90-106.

— Homage To A Confucian Poet — Angela Palandri.  Homage to a Confucian poet, Paideuma, Vol. 3, No. 3 (Winter 1974), pp. 301-311.

— Making Modernism New: Queer Mythology in The Young and Evil — Sam See.  ELH 76, The Johns Hopkins University Press, 2009, pp. 1073–1099.

— Gods and Monsters — Thomas Henry Martin.  Daphne in the Twentieth Century: The Grotesque in Modern Poetry, (Dissertation) May 2008, Texas A&M University, pp. 1-33.

— “A Certain Concordance of Size”: Pound’s Venice in The Pisan Cantos — John Gery. Quaderni di Palazzo Serra 15, 2008, pp. 278-299.

— A Daughter of the Poet — Henry Regnery.  Modern Age, Fall 1972, pp. 420-422.

— Ezra Pound and his Italian Critics — Angela Jung Palandri.  Tamkang Review Vol. III, No. 2, October, 1972, pp. 42-57.

 

 

 

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