BIBLIOGRAPHIES

 

MARCEL DUCHAMP


items by marcel duchamp

Marcel Duchamp's Letters to Maria Martins (1946-1967/68)
Michael R. Taylor (ed.);  Marcel Duchamp: Étant Donnés. Yale University Press, 2009, pp. 402-425.

The Great Trouble with Art in This Country (Marcel Duchamp)
From an interview with James Johnson Sweeney, The Bulletin of the Museum of Modern Art, Vol. XIII, no. 4-5, 1946, pp. 19-21. [Michel Sanouillet & Elmer Peterson (editors); The Essential Writings of Marcel Duchamp, Thames and Hudson, London, 1975, pp. 123-126.]

Affectueusement, Marcel: Ten Letters from Marcel Duchamp to Suzanne Duchamp and Jean Crotti
Francis M. Naumann;  Archives of American Art Journal, Vol. 22, No. 4. (1982), pp. 2-19.

Interview with Marcel Duchamp (1958)
James Johnson Sweeney (interviewer);  James Nelson (ed.); Wisdom - Conversation with the Elder Wise Men of Our Day, W W NORTON & Co. New York, 1958, pp. 89-99.

Interview with Marcel Duchamp (1959)
George Heard Hamilton (interviewer); Conducted in New York on 19 January 1959 for broadcast on BBC Radio.

Interviews with Marcel Duchamp (1964)
Calvin Tomkins (interviewer); Marcel Duchamp: The Afternoon Interviews by Calvin Tomkins. Badlands Unlimited, Brooklyn, 2013, pp. 23-93.

Through the "Large Glass" (Marcel Duchamp)
Pierre Cabanne;  Dialogues with Marcel Duchamp, De Capo Press, 1979, pp. 51-68.


about

Genesis
Michael R. Taylor;  Marcel Duchamp: Étant donnés. The Genesis, Construction, Installation, and Legacy of a Secret Masterwork (Chapter 1), Philadelphia Museum of Art & Yale University Press, 2009, pp. 22-59.

Construction
Michael R. Taylor;  Marcel Duchamp: Étant donnés. The Genesis, Construction, Installation, and Legacy of a Secret Masterwork (Chapter 2), Philadelphia Museum of Art & Yale University Press, 2009, pp. 61-127.

Installation
Michael R. Taylor;  Marcel Duchamp: Étant donnés. The Genesis, Construction, Installation, and Legacy of a Secret Masterwork (Chapter 3), Philadelphia Museum of Art & Yale University Press, 2009, pp. 128-189.

Maria Martins: the Open Secret of Étant donnés / Review of “Marcel Duchamp. Étant donnés” / Philadelphia Museum of Art, August 15-November 29, 2009
Frédérique Joseph-Lowery;  Journal of Surrealism and the Americas 4:1 (2010), pp. 78-85.

Don’t Forget I Come From the Tropics’ (Reconsidering the Surrealist Sculpture of Maria Martins)
Michael R. Taylor;  Journal of Surrealism and the Americas 8:1 (2014), pp. 74-89.

Marcel Duchamp and Alfred Jarry
Pieter de Nijs;  Relief 10 (1), 2016, pp. 77-98.

Jarry in Duchamp
William Anastasi;  New  │  Art (examiner), October 1997, pp. 10-15.

The Alchemist Stripped Bare in the Bachelor, Even
Arturo Schwarz; Anne d'Harnoncourt and Kynaston McShine (eds.),  Marcel Duchamp , MoMA, New York , 1973, pp. 81-98.

Out of Field (Fuera de campo) - Marcel Duchamp in Buenos Aires
Graciela Speranza; Journal of Surrealism and the Americas 4:1 (2010), pp. 1-14.

Metaphysics: Occult Munich
Glyn Thompson;  Unwinding Duchamp: Mots et Paroles à Tous les Étages, (Dissertation, Volume 1.) The University of Leeds, September 2008, pp. 110-150.

Reunion: John Cage, Marcel Duchamp, Electronic Music and Chess
Lowell Cross; Leonardo Music Journal, 1999, Vol. 9, pp. 35–42.

A Marriage in Check. The Heart of the Bride Stripped Bare by Her Bachelor, Even
Lydie Fischer Sarazin-Levassor;  Un échec matrimonial. Le coeur de la mariée mis à nu par son célibataire, même, Dijon, Les Presses du réel, 2007. pp. 21-58.

Duchamp's Labyrinth: First Papers of Surrealism, 1942
T.  J.  Demos;  October, Vol. 97. Summer, 2001, pp. 91-119.

Marcel Duchamp, the Artist, and the Social Expectations of Aging
Reynold Pritikin;  The Gerontological Society of America, Vol. 30, No.5, 1990, pp. 636-639.

Marcel Duchamp: Chess Aesthete and Anartist Unreconciled
Paul N.  Humble; Journal of Aesthetic Education, Vol. 32, No.2, Summer 1998, pp. 41-55.

A Sentimental Conversation: Marcel Duchamp and Lydie Sarazin-Levassor
Marc Décimo; Lydie Fischer Sarazin-Levassor.  Un échec matrimonial. Le coeur de la mariée mis à nu par son célibataire, même, Dijon, Les Presses du réel, 2007. pp. 9-17.

De Chirico and Duchamp
Adriano Altamira;  Metafisica, 2006, No. 5-6, pp. 80-90.

Ekphrastics and Forensics: Hermeneutics
Glyn Thompson;  Unwinding Duchamp: Mots et Paroles à Tous les Étages. The University of Leeds, 2008, pp. 22-25.

Ready-mades and Other Measures: The Poetics of Marcel Duchamp and William Carlos Williams
Henry M. Sayre; Journal of Modern Literature, 1980, Vol. 8 Issue 1, pp. 3-22.

Epistemology: Research as Practice
Glyn Thompson;  Unwinding Duchamp: Mots et Paroles à Tous les Étages. The University of Leeds, September 2008. pp. 10-21.

Marcel Duchamp and the New Geometries
Linda Dalrymple Henderson; The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, Princeton University Press, 1983, pp. 118-163.

Marcel Duchamp, or The Phynancier of Modern Life
Thierry de Duve;  October, Vol. 52, Spring, 1990, pp. 60-75.


additional

Can Aesthetic Theories of Art Be Rescued From the Problem of Avant-Garde and Other Non-Perceptual Artworks? - An Exploration of Non-Perceptual Aesthetic Properties
Angharad Shaw;  Postgraduate Journal of Aesthetics, Vol. 4, No. 1, April 2007, pp. 28-38.

The Bearded Lady and the Shaven Man - Mona Lisa, meet Mona/Leo
Antoinette LaFarge;  Leonardo, Vol. 29 (1996), No. 5, pp. 379-383.

On the Origins of the Virtual Museum
Erkki Huhtamo;  Nobel Symposium - NS 120, Virtual Museums and Public Understanding of Science and Culture, May 26-29, 2002, Stockholm, Sweden, pp. 1-14.

Work Avoidance: The Everyday Life of Marcel Duchamp's Readymades
Helen Molesworth;  Art Journal, Vol. 57, No. 4, Winter 1998, pp. 50-61.

The Sublime: Art Media as Doubt
John Toth;  The Space of Creativity: Hypermediating the Beautiful and the Sublime, European Graduate School (Dissertation), September 2005, pp. 69-79.

Marcel Duchamp and the Machine
Lawrence D.  Steefel, Jr.;  Marcel Duchamp, Anne D'Harnoncourt and Kynaston McShine (eds.). New York: Museum of Modern Art, 1973, pp. 69-80.

On Being Duchamp and Maybe Alberti, Even
Lorens Holm; The Blossoming of Perspective (ed. Penelope Haralambidou), DomoBaal Editions, 2006, pp. 17-19.

The End of Aesthetic Experience
Richard Shusterman; The Journal of Aesthetics and Art Criticism, Vol. 55, No. 1., Winter, 1997, pp. 29-40.

Where's Duchamp? - Out Queering the Field
Robert Harvey;  Yale French Studies 109, Surrealism and Its Others (ed. Katharine Conley and Pierre Taminiaux), 2006, pp. 82-97.

Dead and Alive - Duchamp's Multiples
Susan Tallman;  Arts Magazine, February 1992, pp. 13-14.

Duchampoptics
Tim O’Riley;  Representing Illusions - space, narrative and the spectator in fine art practice, The London Institute, 1998, pp. 56-65.

Twisted Pair: Marcel Duchamp / Andy Warhol
Victor P. Corona;  Culture Machine Reviews, September 2010, pp. 1-12.

Marcel Duchamp's Fountain, Its History and Aesthetics in the Context of 1917
William A. Camfield;  Dada/Surrealism 16 (1987), pp. 64-86.

 

 



EZRA POUND


about

The Last Ten Years (1962–1972)
Anne Conover;  Olga Rudge and Ezra Pound, Yale University Press, New Haven & London, 2001, pp. 227-257.

Olga and Ezra in Paris (1922–1923)
Anne Conover;  Olga Rudge and Ezra Pound, Yale University Press, New Haven & London, 2001, pp. 1-9.

English and French Feminist Approaches to Pound's Poetics
Geun Young Jang; Fluidities of Gender in Ezra Pound, (A Dissertation), Texas Tech University, May, 1999, pp. 54-91.

The Unseen Universe of art: Vortex motion in the Ether
Antje Pfannkuchen; http://www.newvortex.de, June 2004.

The Troubadour (1905-40)
Marie-Noëlle Little; The Knight and the Troubadour - Dag Hammarskjöld and Ezra Pound, Dag Hammarskjöld Foundation, Uppsala, Sweden, 2010, pp. 25-42.

Ezra Pound’s Women of Trachis: Modernist Translation as Performance Text
Stephe Harrop;  Platform, Vol. 3, No. 1, Spring 2008, pp. 90-106.

Homage To A Confucian Poet
Angela Palandri;  Homage to a Confucian poet, Paideuma, Vol. 3, No. 3 (Winter 1974), pp. 301-311.

Making Modernism New: Queer Mythology in The Young and Evil
Sam See;  ELH 76, The Johns Hopkins University Press, 2009, pp. 1073–1099.

Gods and Monsters
Thomas Henry Martin;  Daphne in the Twentieth Century: The Grotesque in Modern Poetry, (Dissertation) May 2008, Texas A&M University, pp. 1-33.

“A Certain Concordance of Size”: Pound’s Venice in The Pisan Cantos
John Gery: Quaderni di Palazzo Serra 15, 2008, pp. 278-299.

A Daughter of the Poet
Henry Regnery;  Modern Age, Fall 1972, pp. 420-422.

Ezra Pound and his Italian Critics
Angela Jung Palandri;  Tamkang Review Vol. III, No. 2, October, 1972, pp. 42-57.

 

 

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