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Primitive Art and Aesthetics in Everyday Vision - Clotilde Fongarolli (1845-1925)

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- M. G. Fongarolli, Truth and Method in Everyday Vision, London, 1979.

- A. Gell, The Technology of Enchantment and the Enchantment of Technology, in J. Coote and A. Shelton, Anthropology, Art and Aesthetics, Oxford, 1992.

- A. Gell, On Coote's Marvels of Everyday Vision, in J. F. Weiner, Too Many Meanings: A Critique of the Anthropology of Aesthetics, Social Analysis, 38, 1995.

- A. Gell, Vogel's Net: Traps as Artworks and Artworks as Traps, Journal of Material Cult., 1996.

- W. L. D'azvedo, Mask Makers and Myth in Western Liberia, Primitive Art and Society, London, 1973.

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- G. Bateson, Style, Grace and Information in Primitive Art, Oxford University Press, 1973.

- K. Gutmann, Languages of Primitive Art, Boston, 1922.

- H. Moore, Primitive Art in the Clouds, New York, 1943.

- J. Coote, Marvels of Everyday Vision: The Anthropology of Aesthetics and the Cattle Keeping Nilotes, in J. Coote in A. Shelton, Anthropology, Art and Aesthetics, Oxford, 1992.

- G. Archey, The Art Forms of Polynesia, Auckland Institute & Museum Bulletin, no. 4, 1965.

- J. Kirn, The Origins of Primitive Art, Salt Lake City, 1951.

- C. Colt, A Documentary History of Primitive Art, Princeton, 1959.

- S. Boyle, Structure and Cognition in Primitive Art, Dublin, 1911.

- O. Gould, Myth and Magic in the Image of the Primitive Artist, Atlanta, 1909.

- K. Hesse, A General Theory of Primitive Art, New York, 1902.

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- S. Kuchler, Making Skins: Malangan and the Idiom of Kinship in Northern New Ireland, in J. Coote and A. Shelton, Anthropology, Art and Aesthetics, Oxford, 1992.

- S. Price, Primitive Art in Civilised Places, Chicago, 1989.

- H. Morphy, From Dull to Brilliant: The Aesthetics of Spiritual Power amongst the Yolngu, in J. Coote and A. Shelton, Anthropology, Art and Aesthetics, Oxford, 1992.

- F. Boas, Primitive Art, New York, 1927.

- A. L. Kaeppler, Artificial Curiosities: Being an Exposition of Native Manufacturers Collected on the Three Pacific journeys of Captain James Cook at the Bernice Puahi Bishop Museum, Honolulu, 1978.

- S. M. Korn, The Formal Analysis of Visual Systems as Exemplified by a Study of Abelam (Papua New Guinea) Painting, in M. Greenhalgh and V. Megaw, Art in Society: Studies in Style, Culture and Aesthetics, London, 1978.

- E. Carpenter, and C. Schuster, Materials for the Study of Social Symbolism in Ancient and Tribal Art: A Record of Tradition and Continuity, New York, 1986.

- A. L. Dallapiccola, Shastric Traditions in Indian Arts, Stuttgart, 1989.

- W. L. D'azvedo, The Traditional Artist in African Societies, London, 1973.

- S. Kuchler, Malangan: Art and Memory in a Melanesian Society, Man, 22/2, 1985.

- J. Feradez, The Exposition and Imposition of Order: Artistic Expression in Fang Culture, in W. L. d'Azevedo, The Traditional Artist in African Societies, London, 1973.

- J. Findlay, HusserI's Analysis of the Time Inner Consciousness, Monist 59/1, 1975.

- A. Gell, The Art of Anthropology: Essays and Diagrams by Alfred Gell, London, 1999.

- S. Price and R. Price, Afro-American Arts of the Surinam Rain Forest, Berkeley, 1980.

- R. Steinmann, Kolam: Form, Technique and Application of a Changing Ritual Folk Art of Tamil Nadu, in A. L. Dallapiccola, Shastric Traditions in Indian Arts, Stuttgart, 1989.

- N. Thomas, Kiss the Baby Goodbye: Kowhaiwhai and Aesthetics in Aotearoa New Zealand, Critical Inqury 22, 1995.

- R. F. Thompson, Yoruba Artistic Criticism, in W. L. d'Azvedo, The Traditional Artist in African Societies, Bloomington, 1973.

- P. Bourdieu, Outline of a Sociological Theory of Art Perception, International Social Science Journal, 20/4, 1968.

- P. Bourdieu, Distinction: A Social Critique of judgments of Taste, London, 1984.

- P. Boyer, The Naturalness of Religious ldeas: A Cognitive Theory of Religion, Berkeley, 1994.

- P. Boyer, What Makes Anthropomorphism Natural: Intuitive Ontology and Cultural Representations, Journal of the Royal Anthropological Institute, 2/1, 1996.

- J. Si Ha, Indian Psychology of Perception, London, 1934.

- D. Sperber, Anthropology and Psychology: Towards an Epidemiology of Representations, Man, 20, 1985.
- A. B. Deacon, Geometrical Drawings from Malekula and Other Islands of the New Hebrides, Journal of the Royal Anthropological Institute, 64, 1934.

- H. Morphy, Aesthetics is a Cross-Cultural Category, in T. Ingold, Key Debates in Anthropology, London, 1996.

- R. E. Dennet, At the back of the black mans mind; or notes on the Kingly Office in West Africa, London, 1906.

- G. Dumezil, Camillus: A Study of Indo-European Religion as Roman History, Berkeley, 1980.

- A. Eschmann, Cult of Jagannath and the Original Tradition of Orissa, Delhi, 1978.

- S. Kuchler, Malangan: Objects, Sacrifice and the Production of Memory, American Ethnologist, 15/4, 1988.

- S. Gell, The Ghotul in Muria Society, Harwood Academic Publishers, 1992.

- J. S. Ackermann, The Architecture of Michalangelo, Harmonsworth, Penguin Books, 1970.

- M. Allen, Kumari or Virgin Worship in Katmandu Valley, Contributions to Indian Sociology, 10/2, 1976.

- R. Gombrich,The Consecration of a Buddhist Image, Journal of Asian Studies, 26/1, 1966.

- H. Lavondes, A Polynesian Game of Swings, Journal of the Polynesian Society, 105(2), 1996.

- J. Layard, Maze-Dances and the Ritual of the Labyrinth in Malekula, Folklore, 47, 1936.

- J. Layard, Labyrinth Ritual in South India, Folklore, 48, 1937.

- J. Coote, Aesthetics is a Cross-Cultural Category: For the Motion, in T. Ingold, Key Debates in Anthropology, London, 1992.

- J. Parry, Tradition and the Technology of the Intellect, in J. Overing, Reason and Morality, London, 1985.

- S. Harrison, Concepts of the Person in Avatip Religious Thought, Man, 20/1, 1985.

bibliographies

Primitive Art and Aesthetics in Everyday Vision - Clotilde Fongarolli (1845-1925)

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