Natalija AD29CA46
2010; graphite, charcoal, eraser on paper, 21×15 cm

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Contemporary Art Market and Corporate Art Collection

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- Ernest Earnest; Expatriates and Patriots: American Artists, Scholars and Writers in Europe, 1968.

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- Marisa Espinosa; The marketing of digital art, 1999.

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- Douglas Fordham; Imperial London and the Dawn of British Art, 2003.

- Channah Fraber; Russian Contemporary Art: a Case Study of Market Creation, 2003.

- Mark Franklin; Electoral Participation, 1996.

- Elisabeth Fraser; Interpreting Delacroix in the 1820s; Readings in the Art Criticism and Politics of Restoration France, 1993.

- Valerie Fraser; The Art of Conquest: Building in the Viceroyalty of Peru, 1990.

- Teresa Grace Frisch; A Study in Nomadic Art with Emphasis on Early Sythian Conventions and Motifs, 1945.

- Catherine Futter, Museums of Household Art: The Interios and Furniture of Herter Brothers, 1994.

- Eboni Gates; Corporate Expression, Customer Impression: a Discussion of the Benefits of Art Sponsorship to Private Sector Marketing Strategy, 2002.

- Willard Gatewood; Theodore Roosevelt and the Art of Controversy, 1970.

- Lama Gega; Principles of Tibetan Art: Illustrations and Explanations of Buddhist Iconography and Iconometry According to the Karma Gardri School, 1983.

- Ernst Gombrich; From the revival of letters to the reform of the arts; Niccolo Niccoli and Filippo Brunelleschi, 1967.

- Ernst Gombrich; Imagery and Art in the Romantic Period, 1985.

- Boris Gorupic; Art on the Non-Freedom of the Subject, 2003.

- Petja Grafenauer; Contemporary and East European Art - The Construction of Discourses in the Collections of Museum of Modern Art, 2006.

- Sarah Graham; Haute Hospitality: the Effects of Displaying Art in Hotel Lobby Spaces, 2005.

- Jessica Greenfield; The use of art by the luxury hotel sector of the leisure industry as a strategic tool in gaining competitive advantage, 2001.

- Jennifer Greenhill; The Plague of Jocularity: Art, Humor, and the American Social Body, 2007.

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- Gabriele Guercio; The Identity of the Artist: A Reading of Monographic Studies Devoted to the Old Masters During the Nineteenth Century, 1995.

- Marina Guerrero; The Spanish Cultural Management Abroad: The State Action (Managing the Arts from a Public Institution: the Spanish Embassy in London - David Brancaleone), 2004.

- Nicos Hadjinicolaou, Art History and the History of the Appreciation of Works of Art, 1978.

- Jeffrey Hamburger; The Rothschild Canticles: Art and Mysticism in Flanders and the Rhineland ca. 1300, 1987.

- Beth Ann Handers; The Art of Activism: Artists and Writers Protest, the Art Workers' Coalition, and the New York Art Strike Protest the Vietnam War, 2001.

- Hou Hanru; Towards a New Locality: Biennials and Global Art, 2005.

- Michael Harris; Contemporary Yoruba Art in Ile-Ife, 1996.

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- Kirsten Hastrup; Writing Ethnography: State of the Art, 1989.

- Charlotte Heavey; British Corporate Art Collection Culture: an Investigation of New Art Patronage, 2000.

- Hilde Hein; The News of Art's Death Has Been Greatly Exaggerated, 1997.

- Linda Henderson; Geometry and the Artist 1900-1930: A Romance of Many Dimensions, 1975.

- Thomas Hess; Women as Sex Object: Studies in Erotic Art 1730-1970, 1973.

- Emily Hillegeist; Copyright Law, Art, and the Internet in the 21st Century, 2001.

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- Erica Hirshler; Claiming our property wherever we find it. American Art After 1865, 1999.

- Eva Hoffman; Artifact: Mapping a Global Survey of the History of Art, 2008.

- Gerhard Hoffman; Frames of Reference: Native American Art in the Context of Modern and Post Modern Art, 1982.

- Joel Hoffman; Imaging the Industrial Village: Architecture, Art and Visual Culture in the Garden Community of Bournville, England, 1993.

- Alexis Horn; Presale Estimates and the Art Market Climate 1980-2005, 2005.

- Hiroko Ikegami; Robert Rauschenberg and the Beginnings of Globalization in Modern Art, 2007.

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- Annabel Jane Wharton; Printing, Patronage, and Prayer: Art Historical Issues in Three Response - Selection, 2007.

- Rosalind Jeffries; Arthur Caraway and Houston Conwill: Ethnicity and Re-Africanization in American Art, 1993.

- Zsombor Jekely; Art and Patronage in the Medieval Hungary- The Frescoes of the Augustinian Church at Siklos, 2003.

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- Fiona Jenkins; Rhetoric, Judgment and the Art of Surprise in Nietzsche's Genealogy, 2004.

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- Kellie Jones; Flying and Touching Down: Abstraction, Metaphor, and Social Concern: The Use of Conceptual Forms Among Mexican and African Artists 1968-1983, 1999.

- Michelle Jones; Love Magnified: Where Art Thou? For the hip hop community, 2009.

- Elizabeth Joyce; Government Indemnity for Travelling Art Exhibitions: The History and Why it is critical for Museums Today, 2004.

- Louis Kannenstine; The Art of Djuna Barnes: Duality and Damnation, 1977.

- Lauren Kantor; Sotheby's as an instrument in the growth and change of the Canadian art market in the last thirty three years, 2000.

- Ann Kaplan; Confronting the Ruins of Antiquated Law: A Critical Assessment of Laws of Cultural Patrimony and their Effect on the Modern Mexican Art Market (The Paradoxical Intentions of Artists in Business - Henry Lydiate), 2004.

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- Cherki Karkaba; International Conference: Exoticism / The Exotic, Faculty of Arts, 2010.

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- Barbara Kernan, Edith Wharton in the Act (and Art) of Making a Habitation for Herself, 2007.

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- Liza Kirwin; Art and Space: Park Place and the Beginning of the Paula Cooper Gallery, 2006.

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Contemporary Art Market and Corporate Art Collection